The Louis Vuitton designer’s sudden move away from structure was more exciting than his talk of female empowerment.
Simple pleasures at Chanel. Plus: McQueen’s ancient history; McCartney’s gift to Zara.
Masculine/feminine at Givenchy. Plus: High-tech tailoring at Balenciaga; Thom Browne’s S&M WASPs.
The 75-year-old legend finds another new direction. Plus: Nadège Vanhee-Cybulski comes into her own at Hermès.
Olivier Rousteing’s Balmain understands it. Plus: Loewe might be getting too relaxed.
Fashion for dark days. Plus: Accessible sensuality at Chloé.
The designer’s gorgeous spring collection balanced grandness and ease. Plus: Marine Serre keeps it up.
To have it, a designer must stand for something.
Alessandro Michele’s oddly timed but moving trip through Paris’s fashion history. Plus: Clever, effortless simplicity at Dior.
Riccardo Tisci’s first show for the British mega-brand was sober and adult.
The designer commits to size, and convinces. Plus: Effortlessly modernized de la Renta and muddled Kors.
This time around at Calvin Klein, the designer’s movie references felt trite.
An overdue move to classic sportswear; minimalist menswear at The Row; a new face at Herrera.
Pyer Moss, Eckhaus Latta, and Monse dominated Saturday.
The superb clothes at the designer’s celebrity-stacked 50th anniversary sent a subtle message about American values.
A strong collection reminds us that the designer has had a great, coherent career.
The designer’s show was as glamorous as ever, but this time his fabulous skirts had an uncommon ease, too.
The designer has built an independent fashion business making other women feel that way too.
A fashion fable, in which the cork-and-leather sandals become cool and double sales overnight.
The Whitney’s Eckhaus Latta exhibit doubles as a clothing store.
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